Indigenous Architects, Artists to Lead Redevelopment of Cook’s Landing Place
Alison Page and Nik Lachajczak, in collaboration with UAP, brings to life 'The Eyes of the Land and Sea' at Captain Cook's landing place in Kamay Botany National Park. The monumental artwork symbolises both the ribs of the Endeavour and the bones of a whale (a Gweagal totem).

Featured on the front page of The Sydney Morning Herald is Alison Page and Nik Lachajczak’s The Eyes of The Land and The Sea. This large-scale public art installation commemorates the 250th anniversary of the 1770 encounter between Aboriginal Australians and Lt James Cook’s crew of the HMB Endeavour at Kamay Botany Bay National Park, Australia.
The Eyes of The Land and The Sea was recently installed as part of the redevelopment of the site, and tells a story of all Australians discovering their true history as we move together towards a truly reconciled nation. It was an absolute pleasure to collaborate with Alison and Nik on this incredible project.
To read the full article click here.
Further reading
Read full Sydney Morning Herald article
#相关文章

From a Tucked-Away New York Town, This Facility Brings Large-Scale Art to Life
UAP is making an unmissable mark on public space in American cities, fabricating outdoor art and installations from a buzzy foundry upstate.

Brian Robinson's Floriate for the new theatre at the Queensland Cultural Centre.
Brian Robinson's artwork, a four-metre-high bronze sculpture called Floriate, will feature intricate etchings of Queensland native flora, culturally significant to both Aboriginal and Torres Strait Islander peoples.

艺术品成分表
UAP,与Future Normal和Carbon Footprint合作,推出艺术品成分表——一个计算艺术品碳排放量的工具