Shezad Dawood works across film, painting and sculpture to juxtapose discrete systems of image, language, site and multiple narratives, using the editing process as a method to explore meanings and forms between film and painting. His practice often involves collaboration, working with groups and individuals across different territories to physically and conceptually map far-reaching lines of enquiry.
Dawood’s work has been exhibited internationally, including the Rubin Museum of Art, New York, USA (2018); Palazzina Canonica and Fortuny Factory Venice, Italy (2017-18); the Si Shang Art Museum, Beijing (2017); Mori Art Museum, Tokyo (2016); the Museum of Modern Art, New York (2015); Taipei Biennial, Taiwan (2014); Marrakech Biennial, Morocco (2014); MACBA, Barcelona (2014); Witte de With, Centre for Contemporary Art, Rotterdam (2013); Modern Art Oxford (2012); Busan Biennale, South Korea (2010); Tate Britain, London (2009); and the 53rd Venice Biennale, Italy (2009). Most recently, Dawood has held solo exhibitions at Parasol Unit, London (2014); and OCAT Xi’an, China (2014). His feature film Piercing Brightness (2013) was exhibited widely at international festivals, is distributed by Soda Pictures on Blu-ray/DVD and iTunes, and was screened at the Museum of Modern Art, New York.
Dawood is a Jarman Award nominee (2012), and one of the winners of the Abraaj Capital Art Prize (2011).
Shezad Dawood was born in London in 1974 and trained at Central St Martin’s and the Royal College of Art before undertaking a PhD at Leeds Metropolitan University. Dawood is a Research Fellow in Experimental Media at the University of Westminster. He lives and works in London.
Shezad Dawood, Coral Alchemy (dipsastrea speciosa) installation view, Desert X AlUla 2022, courtesy of the artist and Desert X AlUla, photo by Lance Gerber. Artist portrait courtesy of the artist.